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Stadio Atleti Azzurri d'Italia, known for sponsorship reasons as the
Gewiss Stadium since July 2024 and as Stadio di Bergamo in UEFA competitions,[2] is a
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of 21,000 seats. The field is 120 m (130 yd) long and 70 m (77 yd) wide. Atalanta has
owned the stadium since 2024, having purchased it from the comune.
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International football competition
The 1956–57 European Cup was the second season of the European Cup, Europe's premier club football tournament. The competition was won for the second time by Real Madrid, who beat Fiorentina 2–0 in the final at the Santiago Bernabéu Stadium, Madrid, on 30 May 1957.
After the great success of the first tournament, six new nations entered representatives: Bulgaria, Czechoslovakia, England, Luxembourg, Romania and Turkey. The Football League had not allowed Chelsea to enter in 1955, and continued its stance on the European Cup as it being a "distraction". However, against the wishes of the FA, Manchester United entered the competition as English champions, becoming the first English team to play in Europe.[1] An additional place was awarded to third in 1955–56 La Liga Real Madrid as the competition's reigning champions, occupying the free berth left by Saar after its reunification with West Germany. As a result, Spain became the first association to provide two representatives to the premier European competition and it was only for Manchester United, who had won against Athletic Bilbao in the quarter-finals, that first ever meeting between two sides from the same country in the competition didn't happen.
This edition was the first to utilize play-off matches, after two legs were not enough to decide which team advances to the next round on three occasions: Borussia Dortmund won 7–0 against Spora Luxembourg in the preliminary round, while Nice and Real Madrid won 3–1 and 2–1, respectively, against Rangers and Rapid Wien in the first round.
Teams [ edit ]
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Llega Halloween, esa festividad que permite que nuestros lados más oscuros salgan a la luz. Dicho sea de paso, también es una muy buena excusa para leer las obras más turbias que los autores de manga sacan a relucir. Con motivo de celebración, en Anime Argentina hicimos una selección 12 mangas de horror que no te van a dejar dormir.
Las obras que consideramos más aterradoras, con dibujos excepcionales, tramas atrapantes que mezclan el terror, lo perverso y grotesco con dramatismo y suspenso las vas a encontrar en esta lista.
¿Vos te animas a leerlas?
12 mangas de horror y terror
1 – Ibitsu
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Minions: Original Motion Picture Soundtrack is the soundtrack album to the 2024 film Minions, a spin-off/prequel and the third installment overall in the Despicable Me franchise, directed by Pierre Coffin and Kyle Balda, the latter in his feature directorial debut. The original music is composed by Heitor Pereira who previously worked on Despicable Me (2010) and Despicable Me 2 (2013), where he composed the score with Pharrell Williams. Minions, however is the first film in the franchise, without the involvement of Williams and Pereira taking over the sole credit as the composer.[1] The soundtrack for the film was released, alongside the film, on July 10, 2024, by Back Lot Music.[2][3]
Development [ edit ]
Pereira who watched the Despicable Me films, observed audience reaction to the Minion characters, and felt that "this is now a part of their lives, and I want to do justice to this dedication from the audience", resulting him to score for Minions.[4] The score was fully orchestrated and dramatic to give a feel of "classic action film". As the film was mostly set during the 1960s, Pereira recorded the music using vintage microphones which were used by The Beach Boys and Frank Sinatra, which he felt as "an opportunity to pay homage to the musicians and technicians of that time" and also inspired composers such as Henry Mancini, Lalo Schifrin and John Barry.[5] He had stated on the selection of popular songs from the 1960s, saying "Those songs represent an era but they also have to have a relationship to the moment in the movie where they appear. The directors love music and those were the songs that they felt at the moment represented the storytelling the most, like "You Really Got Me" or "My Generation".[6] He also featured some of the songs in the film are sung by the Minions themselves. He added that "it was fun to write music around it and try to make the orchestral music and band music to somehow be holding hands with the music of the period without sounding like somebody that wrote the music then".[6]
"I'm from Brazil, but the first time I heard The Beatles, I didn't have a clue what they were singing about. But the rhythm and the waves of the sounds that the language created somehow already put me in a certain frame of mind. I find that the same goes with the Minions' language." — Pereira, on the use of Minions language[4]
Pereira compared the music for the Minions to that of the Three Stooges, where the difference is Minions could not speak English. He further said that "Their language is not language, but the cumulative aspect of the repetition of those words is like creating a language in itself [...] In Minions, a lot of things go by and then the narrator has left the movie and now they are out there on their own. Instead of compensating for their lack of language I decided to back off, give them space, and let their phonetic sounds be very clear. That was a lot of fun because we almost made a dictionary of their sounds and let the music follow the same kind of repetition."[6] Pereira took the music from their travel through time and acquired all the personalities through the score.[6]
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